ABSTRACT

As a central component of contemporary culture, films mirror and shape political debate. Reflecting on this development, scholars in the field of International Relations (IR) increasingly explore the intersection of TV series, fiction film and global politics. So far, however, virtually no systematic scholarly attention has been given to documentary film within IR.

This book fills this void by offering a critical companion to the subject aimed at assisting students, teachers and scholars of IR in understanding and assessing the various ways in which documentary films matter in global politics. The authors of this volume argue that much can be gained if we do not just think of documentaries as a window on or intervention in reality, but as a political epistemology that – like theories – involve particular postures, strategies and methodologies towards the world to which they provide access.

This work will be of great interest to students and scholars of international relations, popular culture and world politics and media studies alike.

part I|40 pages

Setting the scene

chapter 1|20 pages

Introduction

chapter 2|18 pages

Your film in seven minutes

Neo-liberalism and the field of documentary film production

part II|158 pages

Staging world politics

chapter 6|19 pages

Shots of ambivalence

Nuclear weapons in documentary film

chapter 7|19 pages

Inside war

Counterinsurgency and the visualization of violence

chapter 8|17 pages

The reflexivity of tears

Documentaries of sexual military assault

chapter 10|17 pages

The Reckoning

Advocating international criminal justice and the flattening of humanity

chapter 11|16 pages

Strange encounters

Past, present, and future conceivable life

part III|33 pages

Behind the scenes

chapter 12|12 pages

Evil, art and politics in documentary film

Interview with Joshua Oppenheimer

chapter 13|10 pages

Bridging research and documentary film

Interview with Janus Metz and Sine Plambech

chapter 14|9 pages

After-image