ABSTRACT

Audiobooks are rapidly gaining popularity with widely accessible digital downloading and streaming services. This book engages with the digital form of audiobooks, framing audiobook listening as both a remediation of literature and an everyday activity that creates new reading experiences that can be compared to listening to music or the radio. Have and Stougaard Pedersen challenge the historical notion that audiobook listening is a compensatory activity or a second-rate reading experience, while seeking to establish a dialogue between sound studies and media studies, comparative literature, aesthetics, and sociology.

chapter 1|22 pages

The Digital Audiobook in Between

part I|35 pages

Aesthetics, Sound, Senses

chapter 2|18 pages

Modes of Reading as Listening

chapter 3|16 pages

Intersensorial Situations

part II|37 pages

Affordance and Voice

chapter 4|18 pages

Affordances of the Digital Audiobook

chapter 5|18 pages

The Performing Voice of the Audiobook

part III|59 pages

Usage and Mediatization

chapter 7|24 pages

The Audiobook in a Mediatized Soundscape

chapter 8|10 pages

The Digital Audiobook Revisited