ABSTRACT

Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium.

Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do?

Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing.

Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.

chapter |12 pages

Introduction

part I|52 pages

Rethinking first photograph(er)s

chapter 1|14 pages

A Sensational Story

Helmut Gernsheim and “the world's first photograph”

chapter 2|12 pages

What's Wrong with Daguerre?

chapter 3|12 pages

Omphaloskeptical?

On Daguerre, smoke drawing, finger painting, and photography

chapter 4|12 pages

The Past through the Looking Glass

part II|64 pages

Multiplying beginnings

chapter 5|15 pages

Origins Without End

chapter 7|10 pages

Against Photographic Exceptionalism

chapter 8|14 pages

Sacred Stories

Photography's indigenous origins

chapter 9|11 pages

Seeing Ourselves As others See us

Frederick Douglass's reflections on daguerreotypy and racial difference

part III|54 pages

Writing (trans)national histories

chapter 11|12 pages

The Bertoloni Album

Rethinking photography's national identity

chapter 12|14 pages

Photography And Its Chinese Origins

chapter 13|12 pages

Looking into the Past and Present

The origins of photography in Africa

part IV|39 pages

Tracing Scientific Origins

chapter 14|10 pages

Self-Reflections

The nature of Sir Humphry Davy's photographic “failures”

chapter 15|13 pages

Natural/Mechanical

Keywords in the conception of early photography

chapter 16|14 pages

A Note On the Science of Photography

Reconsidering the invention story