ABSTRACT

Unfolding the Unconscious Psyche is a study of the creative arts and depth psychology, and the threads that run between the two. Edward Applebaum begins with works of art, in media including painting, music, literature and film, and pursues aspects of each towards an understanding of the unconscious psyche of the creator.

By combining a study of the artistic work with the insight of depth psychology, Applebaum opens a dialogue between studies of works of art and their creators and the individuals who form the work’s audience. Each discussion is dictated by the artwork itself and is viewed from a variety of perspectives.  Throughout the book the reader is encouraged to develop their own analytical technique: to follow the clues available, link threads together and analyse what they can see. The result demonstrates the value of dialogue in blending depth psychology with the arts, through examination of work by artists including Georgia O’Keefe, Ingmar Bergman, Frida Kahlo, Gustav Mahler and Virginia Woolf. Applebaum also seeks to correct misconceptions about the arts that have filtered into the study and practice of depth psychology since the earliest writings of Freud and Jung. 

This uniquely creative and insightful work will be absorbing reading for analytical and depth psychologists, students of analytical psychology, academics and scholars of the arts and anyone with an interest in the application of Jungian ideas.

part |83 pages

Music to create a universe

chapter |4 pages

Theme: Part 1

The Haunting Melody

chapter |4 pages

Theme: Part 2

Creativity

chapter |6 pages

Theme: Part 3

Freud and Mahler

chapter |11 pages

Tender Is The Night

chapter |11 pages

Ingmar Bergman'S Persona

chapter |6 pages

Music And Alchemy

Beethoven

chapter |9 pages

Gallery Of The Soul

Kahlo, Rivera, Munch

chapter |10 pages

To The Lighthouse

chapter |7 pages

The Fisher King And The Handless Maiden

Prelude to the Alexandria Quartet

chapter |9 pages

The Alexandria Quartet

chapter |4 pages

Gustav Mahler

part |50 pages

The end of boundaries

chapter |13 pages

Georgia O'Keeffe

The touch of desire

chapter |5 pages

Music In Film

chapter |7 pages

The Piano

chapter |7 pages

Tim Winton'S The Riders

chapter |9 pages

Maeterlinck, Ibsen

chapter |5 pages

Pelléas AND Mélisande

chapter |2 pages

Finale

Why I wrote this book