ABSTRACT

Divided into three sections, Linda Phyllis Austern collects eighteen, cross-disciplinary essays written by some of the most important names in the field to look at this stimulating topic. The first section focuses on the cultural and scientific ways in which music and the sense of hearing work directly on the mind and body. Part Two investigates how music works on the socially constructed, representational or sexualized body as a means of healing, beautifying and maintaining a balance between the mental and physical. Finally, the book explores the action of music as it is heard and sensed by wider social units, such as the body politic, mass communication, from print to sound recording, and broadcast technologies.

chapter |14 pages

Introduction

part |60 pages

Minding Affect

chapter 2|18 pages

Bemetzrieder's Dream

Diderot and the Pathology of Tonal Sensibility in the Leçons de clavecin

chapter 3|18 pages

“Little Pearl Teardrops”

Schubert, Schumann, and the Tremulous Body of Romantic Song

part |89 pages

Sensual Transgressions

chapter 5|24 pages

Sensational Sacrifices

Feasting the Senses in the Bolivian Andes

chapter 6|16 pages

Siren Sensualities in Physical Theatre

Lloyd Newson's Strange Fish (1992)

chapter 7|27 pages

Heroism Undone

The Erotic Manuscript Parodies of Jean-Baptiste Lully's Tragédies en Musique

part |46 pages

Transcendence

chapter 9|17 pages

Between Life and Death

The Funeral and Mourning Rituals of the Southeastern Hungarian Vlach Roma

part |53 pages

Video (I See)

part |53 pages

Representation Touching Hearing

chapter 15|14 pages

Pastoral Pleasures, Sensual Sounds

Paintings of Love, Music, and Morality in Sixteenth-Century Italy

chapter 16|19 pages

The Signifying Serpent

Seduction by Cultural Stereotype in Seventeenth-Century England

part |24 pages

Noise and Science