ABSTRACT

Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity--in film, in the marketplace, in society, in culture. Essays range from the auteur theory and Casablanca to Oscar Micheaux, from the American avant-garde to community video, all illuminating how "authorship" is a complex idea with far-reaching implications. This ambitious and wide-ranging book will be essential reading for anyone concerned with film studies and the concept of the author.

part 1|55 pages

Authorship studies in review

chapter 1|23 pages

The practices of authorship

chapter 2|31 pages

Authorship approaches

part 2|55 pages

Authorship and identity in hollywood

chapter 3|16 pages

The auteur theory

Michael curtiz, and casablanca

chapter 4|19 pages

I hear music and …

Darryl and irving write history with alexander's ragtime band 1

chapter 5|19 pages

Stepping out from behind the grand silhouette

Joan harrison's films of the 1940s

part 3|113 pages

Authorship and identity near and far from hollywood

chapter 6|18 pages

Intentions and mass culture

Oscar micheaux, identity, and authorship

chapter 8|18 pages

John waters goes to hollywood

A poststructural authorship study

chapter 9|18 pages

Len lye

Reading with the body

chapter 10|20 pages

A lost man

Willie varela and the american avant-garde

chapter 11|19 pages

Grassroots authors

Collectivity and construction in community video

part 4|46 pages

The author-function

chapter 12|12 pages

Reframing a biographical legend

Style, european filmmakers, and the sideshow cinema of tod browning

chapter 13|15 pages

Robert stigwood

Producer, author, text

chapter 14|18 pages

Making films asian american

Shopping for fangs and the discursive auteur