ABSTRACT

Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist.
In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.

part |1 pages

PART I TERMS OF REFERENCE

chapter 1|15 pages

NEW DIRECTIONS, NEW POINTS OF VIEW

chapter 2|17 pages

A CHART OF THE NORTHERN SEAWAYS

chapter 3|16 pages

THE CIRCLE AND THE STAG

chapter 4|19 pages

TIME OUT OF MIND

part |1 pages

PART II ROCK ART AND THE LANDSCAPE OF BRITAIN AND IRELAND

chapter 6|16 pages

THE SHEPHERD ON THE ROCK

chapter 8|10 pages

THE CIRCLE AND THE CRAG

chapter 9|15 pages

PUBLIC FACES IN PRIVATE PLACES

chapter 10|5 pages

IMAGINARY LANDSCAPES

part |1 pages

PART III ROCK ART AND THE LANDSCAPE OF ATLANTIC EUROPE

chapter 11|15 pages

IN COMPARISON

chapter 12|17 pages

THE CARNIVAL OF THE ANIMALS

chapter 13|19 pages

THE MONARCH OF THE GLEN

chapter 4|9 pages

TEEN SIGN LANGUAGE