ABSTRACT

The prose writings of Vladimir Nabokov form one of the most intriguing oeuvres of the twentieth century. His novels, which include Despair, Lolita and Pale Fire, have been celebrated for their stylistic artistry, their formal complexity, and their unique treatment of themes of memory, exile, loss, and desire.
This collection of essays offers readings of several novels as well as discussions of Nabokov's exchange of views about literature with Edmund Wilson, and his place in the 1960s and contemporary popular culture.
The volume brings together a diverse group of Nabokovian readers, of widely divergent scholarly backgrounds, interests, and approaches. Together they shift the focus from the manipulative games of author and text to the restless and sometimes resistant reader, and suggest new ways of enjoying these endlessly fascinating texts.

chapter |12 pages

INTRODUCTION

Collusion and collision

part |2 pages

Part I THE ARTIST AND IDEOLOGY

chapter 1|9 pages

THE NABOKOV–WILSON DEBATE

Art versus social and moral responsibility

chapter 2|17 pages

TWO ORGAN-GRINDERS

Duality and discontent in Bend Sinister

part |2 pages

PART I I Discourses of gender and sexuality

part |2 pages

Part III LOLITA

chapter 6|20 pages

Seeing through Humbert: focussing on the feminist sympathy in Lolita

Focussing on the feminist sympathy in

chapter 7|26 pages

DISCOURSE, IDEOLOGY, AND HEGEMONY

The double dramas in and around Lolita

part |2 pages

PART I V Cultural contacts