ABSTRACT

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.
The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.
Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

chapter |43 pages

‘Modern Painters I'

1843

chapter |31 pages

The Reverend John Eagles, from an Unsigned Review, ‘Blackwood's Magazine'

October 1843, vol. 54, 485–503

chapter |12 pages

George Darley, Two Unsigned Reviews, ‘Athenaeum'

3 and 10 February 1844

chapter |11 pages

‘Modern Painters II'

1846

chapter |11 pages

From an Unsigned Review, ‘Foreign Quarterly Review'

July 1846, vol. 37, 380–416

chapter |8 pages

‘Modern Painters I, II'

1843, 1846

chapter |8 pages

Dr John Brown, from an Unsigned Review, ‘North British Review'

February 1847, vol. 6, 401–30

chapter |3 pages

Unsigned Review, ‘Examiner'

16 June 1849, 373

chapter |15 pages

J.M. Capes, Unsigned Review, ‘Rambler'

July 1849, vol. 4, 193–201

chapter |10 pages

‘Pre-Raphaelitism'

13 August 1851

chapter |10 pages

Unsigned Review, ‘Art-Journal'

November 1851, vol. 3, n.s., 285–6

chapter |6 pages

‘The Stones of Venice I'

1851

chapter |6 pages

From an unsigned Review, ‘Fraser's Magazine'

April 1854, vol. 49, 463–78

chapter |34 pages

‘The Stones of Venice II, III'

1853

chapter |34 pages

Three unsigned Reviews, ‘The Times'

24 September, 1 October, .12 November 1853

chapter |7 pages

‘Modern Painters III'

1856

chapter |3 pages

From an unsigned Review, ‘The Economist'

1 March 1856, 226–9

chapter |4 pages

George Eliot, from an Unsigned Review, ‘Westminster Review'

April 1856, vol. 9, n.s., 625–33

chapter |12 pages

‘Modern Painters I-III'

1856

chapter |12 pages

Elizabeth Rigby, from an Unsigned Review, ‘Quarterly Review'

March 1856, vol. 98, 384–433

chapter |6 pages

‘Modern Painters IV'

1856

chapter |4 pages

William Michael Rossetti, Unsigned Review, ‘Spectator'

17 May 1856, 535–6

chapter |2 pages

From an Unsigned Review, ‘Eclectic Review'

August 1856, vol. 12, n.s., 107–30

chapter |9 pages

‘The Political Economy of Art'

1857

chapter |5 pages

William Moy Thomas, Unsigned Review, ‘Athenaeum'

26 December 1857, 1615–17

chapter |15 pages

‘Modern Painters V'

1860

chapter |6 pages

Unsigned Review, ‘Illustrated London News'

22 September 1860, vol. 37, 282

chapter |17 pages

‘Unto this Last'

1860

chapter |8 pages

Unsigned Review, ‘Saturday Review'

10 November 1860, 582–4

chapter |3 pages

Unsigned Review, ‘Lloyd's Weekly Newspaper'

18 November 1860, 9

chapter |2 pages

Unsigned Review, ‘Press'

28 June 1862, 617

chapter |4 pages

Unsigned Review, ‘Westminster Review'

October 1862, vol. 22, n.s., 530–2

chapter |6 pages

‘Essays on Political Economy'

1862–3

chapter |6 pages

From an Unsigned Review, ‘London Review'

11 October 1862, 317–18

chapter |7 pages

‘Sesame and Lilies'

1865

chapter |5 pages

Anthony Trollope, Signed Review ‘Fortnightly Review'

15 July 1865, vol. 1, 633–5

chapter |2 pages

John De Capel Wise, Unsigned Review, ‘Westminster Review'

October 1865, vol. 28, n.s., 574–6

chapter |13 pages

‘The Crown of Wild Olive'

1866

chapter |7 pages

Unsigned Review, ‘Saturday Review'

2 June 1866, 659–60

chapter |6 pages

Anthony Trollope, Signed Review, ‘Fortnightly Review'

15 June 1866, vol. 5, 381–4

chapter |3 pages

‘The Queen of the Air'

1869

chapter |3 pages

From an Unsigned Review, ‘Westminster Review'

October 1869, vol. 36, n.s., 663–6

chapter |26 pages

‘Lectures on Art'

1870

chapter |9 pages

Unsigned Review, ‘Saturday Review'

30 July 1870, 143–5

chapter |62 pages

Ruskin 1872–1900

chapter |7 pages

Charles Eastlake, from ‘A History of the Gothic Revival'

London, 1872, 264–80

chapter |4 pages

J.J. Jarves, Signed Article, John Ruskin, The Art-Seer, ‘Art-Journal'

January 1874, vol. 13, n.s., 5–6

chapter |1 pages

D.C. Thomson, from a Signed Article, Ruskin as an Art Critic, ‘Art-Journal'

November 1879, vol. 18, n.s., 225–8

chapter |8 pages

Vernon Lee, From Ruskinism, ‘Belcaro'

London, 1883, 198–229

chapter |6 pages

George Saintsbury, from Mr. Ruskin, ‘Corrected Impressions'

New York, 1895, 198–218

chapter |9 pages

Robert F. Horton, from a Signed Review, ‘London Quarterly Review'

April 1900, n.s., no. 6, 289–307

chapter |12 pages

Leslie Stephen, from a Signed Article, John Ruskin, ‘National Review'

April 1900, vol. 35, 240–55