ABSTRACT

This collection of essays, both feminist and historical, analyzes power relations between men and women in the Victorian period. This volume is the first to reshape Victorian studies from the perspective of the postmodern return to history, and is variously influenced by Marxism, sociology, anthropology, and post-structuralist theories of language and subjectivity. It analyzes the struggle for legitimacy and recognition in Victorian institutions and the struggle over meanings in ideological representation of the gendered subject in texts.

Contributors cover diverse topics, including Victorian ideologies of motherhood, the male gaze, the cult of the male child genius in narrative painting, the press, and Victorian women and the French Revolution, discussing both well-known and less familiar Victorian texts.

chapter 1|17 pages

Engendering History for The Middle Class

Sex and political economy in the Edinburgh Review

chapter 2|13 pages

From Trope to Code

The Novel and The Rhetoric of Gender in Nineteenth-Century Critical Discourse

chapter 3|21 pages

Demonic Mothers

Ideologies of Bourgeois Motherhood in the Mid-Victorian Era

chapter 4|18 pages

Water Rights and the “Crossing O'Breeds”

Chiastic Exchange in The Mill on the Floss

chapter 6|14 pages

“To Tell the Truth of Sex”

Confession and Abjection in Late Victorian Writing

chapter 7|15 pages

Reading the Gothic Revival

“History” and Hints on Household Taste

chapter 8|31 pages

Excluding Women

The Cult of the Male Genius in Victorian Painting

chapter 9|17 pages

Of Maenads, Mothers, and Feminized Males

Victorian Readings of the French Revolution

chapter 10|18 pages

The “Female Paternalist” as Historian

Elizabeth Gaskell's My Lady Ludlow