ABSTRACT

As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'.

The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today.

This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.

chapter |10 pages

Introduction

Visual cultures and visual worlds

part I|101 pages

Cultures

part |55 pages

Political culture

chapter 1|28 pages

Uncle Sam needs a wife

Citizenship and denegation 1

chapter 2|11 pages

Televisual popular politics

Diana and democracy 1

chapter 3|11 pages

Manufacturing dissent

Challenges for activism and alternative voices in the post-9/11 world

part |43 pages

Visual culture

chapter 5|17 pages

Heart of darkness

A journey into the dark matter of the art world

part II|130 pages

Worlds

part |83 pages

Social worlds

chapter 7|20 pages

Electronic habitus

Agit-prop in an imaginary world

chapter 8|11 pages

Los Angeles as visual world

Media, seeing, and the city 1

chapter 9|14 pages

Photography's decline into modernism

In praise of “bad” photographs

part |44 pages

Warring worlds

chapter 12|13 pages

Under siege

Mona Hatoum's art of displacement

chapter 13|6 pages

Mea Culpa

On residual culture and the turn to ethics

chapter |8 pages

Epilogue

Visual worlds, after 9/11